You could write any kind of story in comics. Along the way, it opened the form to social criticism, history, outrageous satire, and the full range of deeply personal human experience, including the both lightly and darkly sexual.Ĭrumb's occasional collaborator Harvey Pekar, one of the major innovators of quotidian comic autobiography, says his partner demonstrated that "comics were as good an art form as any that existed. With his first issue of Zap in 1968, Crumb singlehandedly invented a format and sensibility, under the broad label of "underground comix," that permanently changed how printed cartoon stories are perceived. Nearly every milestone on the long road comics have crawled from derided trash to treasured American art form was inspired either directly or secondhand by Crumb's choices and achievements. The legendary art critic Robert Hughes has favorably compared his portrayals of the human grotesque to Pieter Bruegel and William Hogarth, declaring Crumb "the one and only genius the 1960s underground produced in visual art, either in America or Europe." His work has appeared in museums across the world, from the Venice Biennale to New York's Museum of Modern Art he was the subject of Terry Zwigoff's acclaimed documentary Crumb (Gene Siskel's favorite film of 1994) his drawings are so coveted by collectors that a sale of some sketchbooks in the early 1990s bought him a centuries-old chateau in southeast France. Robert Crumb is the undisputed godfather of alternative comics.
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